Showing posts with label broken column. Show all posts
Showing posts with label broken column. Show all posts

Tuesday, May 27, 2008

The Art of Real Life [Carol Marfisi]

I was among thousands of museum goers who attended the Frida Kahlo exhibit at the Philadelphia Museum of Art. It is an understatement to say that the works were compelling and heart wrenching. Having a bit of anthropological DNA in my blood, I always tend to not only appreciate the main exhibit but the experiential exhibition of the observers. It is quite intriguing to watch how people respond to not only the main feature in a physical space but also how they interact with one another, but mostly strangers as we journey through different historical and cultural planes.

There were obviously many reactions to Frida Kahlo’s life and works. My co-observers focused on different levels and features of the artist and her works. Some were solely concentrated on the aesthetic and technical aspects of her paintings. Others were immensely intrigued by her culture and social dynamics which influenced her creativity. Oddly enough, I didn’t overhear anyone comment on her disability. Her life and brilliance of her works may very well have overshadowed that particular element of her character and life.

I would say that the experience was memorable for me, but rather typical as far as museum expeditions go. It was not until I exited the museum that the real unveiling of life began. Wanting to go into the city, I began to board a tourist bus. With relative naivety, I said to the driver, “Will you please deploy the wheelchair lift?” I should have known when he looked a bit confused and annoyed that drama was right behind. It took 45 minutes for this untrained driver to learn from a tourist from California how to operate the wheelchair accessible equipment. The driver, besides being frustrated and embarrassed, was being harassed by a string of drivers who were behind the tourist bus. They honked and yelled as if that would expedite the process. Many people including the museum staff were visibly upset at this interruption in their schedule. They were people with places to go and people to see and this one stranger in their midst was holding up progress.

Part of me felt bad for the inconvenience but a larger part of me wondered how much the tourists who saw the exhibit were sensitized by their understanding of Kahlo’s life. Did they have a glimpse into the disability experience and how that may have impacted Kahlo’s emotional creativity?

[Image description: the painting "Broken Column" by Frida Kahlo, 1944]